Tsuki: A Japanese Folk Song

Learn this beautiful Japanese song with the steps below to develop your musicianship skills. Tsuki Performance Watch this beautiful performance of Tsuki:  Learn Tsuki It’s such a beautiful song.  It’s one of my favourites and the above video is such a gorgeous arrangement.  I’ll teach it to you now.  Below is the Japanese version and […]

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Kodály Christmas 2 Blog

Sleeping a in Stable I’d like to tell you a sad story about my composition, Sleeping a in Stable… with a happy ending! I wrote Sleeping in a Stable for a school nativity and the brief was they needed something for them to sing in the stable part of the nativity.  The school later said they’d forgotten

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Winter Elves Blog

I LOVE Goblins are Around Tonight which appears in David Vinden’s Songs for Singing and Musicianship. I changed the lyrics to make them cute and Christmassy.  I found that my students really took to the Winter Elves.  I showed them pictures of different winter elves and they had to choose which elves they thought this

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Kodály Christmas, Winter and holiday repertoire

The most frustrating thing about Christmas songs is being suddenly asked to teach repertoire with concepts our students haven’t learnt yet; Jingle Bells with dotted rhythms anyone? And if they have a version that has changed the dotted rhythm, we have more problems because they know the sound of the dotted rhythm version! Just before Christmas is not the time to learn new concepts just because it happens to be in a Christmas song.

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I'm Bound Away blog

As well as being a beautiful sea shanty, it’s excellent for teaching the dotted crotchet and quaver rhythm: tam-ti. Below I’ll give you ideas for teaching this song, preparing the rhythm with an ostinato, presenting tam-ti, working out the rhythm and finally the solfa. A Capstan Shanty This is a sad song about heading off

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Step Back Baby - Microsteps

My last few blog posts have been about more complicated rhythms and how we can guide our students to discover them using a Kodály inspired approach. The most important element of the Kodály approach is singing, using our voice. It really comes into it’s own with the rhythm that appears in the sone Step Back Baby.

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