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Empowering children to sing: achieving success with the cornerstone of the Kodály approach
In the last blog post (catch-up here), we talked about the qualities of speaking and singing and what the differences are. To help our students learn the difference between their speaking and singing voices they need to feel free and able to experiment with their voices. So how do we give them confidence and encouragement to experience their voice types?
Whether you’re a classroom teacher, visiting music teacher or 1:1 instrumental teacher, this blog will give you tips and ideas for experiencing voice types in a Kodály inspired way.
How to start planning your Kodály Music Curriculum
Do you want or need to create a singing based curriculum for your school, class or club? Maybe you’ve done some Kodály training but have been left highly motivated but not quite knowing where to start.
4 Differences of Kodály Music Lessons and Piano Lessons
Do you teach classroom music and private instrumental lessons using the Kodály approach? Here are my four top differences between these teaching settings.
When Will They Do Grade 1? No Worries for Kodály Piano Teachers
“When will they do their Grade 1?” I think we all recognise this question and we all dread it. But what happens when you’re a Kodály Piano Teacher? You might be surprised! I certainly was.
Which Solfa to Start with in Kodály Music Lessons
So know you want to teach using solfa, and you know that throwing them into the full diatonic scale is not the best way. But which subset of the tones, or toneset, do you teach first? Get ready for some controversy!